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Bela bartok 2


As the title implies, in this piece Bartók adheres to many attributes of the music of J.S. Bach. He writes this piece in a clear contrapuntal style. Accent marks help show which line to bring out. The hands hardly move from their original five-finger position, but challenging accidentals can pose their own problems.  Careful counting and a steady tempo are essential in this piece reminiscent of Baroque music. Also, students may have difficulty pacing the four-measure rit. partway through. The piece ends with polytonality, creating a unique dissonance. 

AuthorEdit

Caroline Krause, Iowa Center for Research by Undergraduates Fellow

LinkEdit

https://www.youtube.com/watch?v=qbi5DpAkptg&list=PL2BX2wJ-lJxj39ZmLU15R3wZkGgrzCRkI&index=13

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