Fluid and glassy, this piece requires a lot of attention regarding the articulation and shaping. Slur markings are used continuously; students should be especially aware of this when the hands cross over one another. Following the rising and falling motion of each phrase will help create a nice shape. The pedaling is quite simple; it is held down and infrequently changes.
Complete bio can be found at http://www.frederickharrismusic.com/FHMCsite/capricorn?para=showPage&docId=authors§ion=**
Through the Windowpane is available through The Frederick Harris Music Co., Limited, 2005
Caroline Krause, Iowa Center for Research by Undergraduates Fellow