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Konrad Kunz, Op. 14, No00:17

Konrad Kunz, Op. 14, No. 113

Konrad Kunz

Konrad Kunz

Dissonances abound in this piece, creating a unique sound. Kunz writes in the key of B-flat minor and uses many A naturals, acting as the leading tone. Carefully placed accent markings are essential for creating the needed off-beat character. Students should strive for a strong legato touch in the sections with slurs. 

Publisher InformationEdit

200 Piccoli Canoni a due parti, Op. 14 can be purchased here  

AuthorEdit

Caroline Krause, Iowa Center for Research by Undergraduates Fellow

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