Konrad Kunz, Op. 14, No00:16

Konrad Kunz, Op. 14, No. 56

Konrad Kunz

Konrad Kunz

Since this canon is in cut time and marked Allegro, the tempo should be lively. Students need to clearly differentiate between accent and tenuto markings. Also, the articulation is fairly detailed and adds a lot of variety to this short work. Performers should aim to create long phrases in each line.

Publisher InformationEdit

200 Piccoli Canoni a due parti, Op. 14 can be purchased here  


Caroline Krause, Iowa Center for Research by Undergraduates Fellow

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