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Beethoven
Mellow and unobtrusive, this bagatelle stays interesting for the listener and performer with a variety of textures and articulations. In particular, the two-note slur is essential for the articulatory style of the piece. Students should be aware of accidentals, key changes, and articulation markings; they also should be willing to shape phrases even when no dynamics are marked, without which the piece will feel lackluster.

AuthorEdit

Jennifer Brooke, undergraduate piano major, The University of Iowa

Link

http://www.youtube.com/watch?v=rV_MqHbhyEk

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