Double thirds abound in this work, opening up discussion of how to voice melodic lines above thick textures. The accompaniment is quite simple and consists of single notes. The left hand never changes position, allowing students to focus more on the movement in the right hand. Dynamics are especially important, since they correspond with the rise and fall of each phrase.
Complete bio can be found at https://mrozinski.musicteachershelper.com/about
Enchanted Forest is available through The Frederick Harris Music Company, 2003.
Caroline Krause, Iowa Center for Research by Undergraduates Fellow