The predominant feature of this piece is arpeggiated triplets in the left hand, joined occasionally by the right hand. The triplets, along with the ¾ time signature, contribute to the lilting feel of this movement, which also contrasts loud and soft dynamics quite starkly. Chord changes in the left-hand arpeggios coupled with the relatively quick tempo may require extra practice.
Author[]
Jennifer Brooke, undergraduate piano major, The University of Iowa